This was not my first tour of a malting facility. Years ago, when I started my post graduate research into the archaeology of malt, ale and beer I contacted Thomas Fawcett and Sons, Maltsters, in Castleford, West Yorkshire and asked if they could show us round. They were very helpful and friendly. Soon we had been given a personally guided tour of the maltings by James Fawcett himself. Fawcett's make malt for the brewing industry using traditional floor malting techniques as well as having modern Germinating Kilning Vessels. There's a short film on their website where the ancient craft of floor malting can be seen. We'd wanted to see how an industrial maltings worked, having already visited an 18th Century grain barn at the Corrigall Farm Museum, Orkney, with a threshing floor, malting floor and grain drying kiln. Making malt is the same process, whether you are in a grain barn on a farm or at an industrial floor malting. The only difference is the scale of the task.
The tour of the Highland Park Maltings began with the steep tanks. Barley is steeped in water with regular air rests. Air is bubbled through. Steep tanks vary in size, obviously, but the basic principle is to get the barley wet enough and aerated sufficiently to trigger the germination process.
|the steep tank, barley in bubbling water, with regular air rests|
Steep tanks emulate a traditional and probably ancient technique. Maltsters in history and prehistory would have put their harvested grain into a porous bag and then left it in a shallow bubbling stream for a few days. This practice would, of course, leave absolutely no archaeological evidence. I was first told about it by an Orcadian farmer, maltster, brewer and crofter, Harry Flett, who was the custodian of the Corrigall Farm Museum.
|a babbling brook, plenty of water and oxygen here |
source wikipedia images
I've written about some aspects of my research into neolithic grain processing, grain barns and the "first farmers" in an earlier blog. Many of the neolithic rectangular timber buildings in Britain and Ireland were situated beside or close to streams and rivers. Carbonised barley grains with missing embryos have been discovered at a number of these ancient sites. I think that they are good candidates for grain barns and malt houses five thousand years ago.
The steeped grain is transferred to the malting, or germination, floor. This is where it begins to grow visibly. Conditions have to be right. It's too hot in the summer months for floor malting, however, with the modern GKV systems it's now possible to make malt every day of the year. At an industrial floor maltings there are large amounts of grain to be carefully transferred from one place to another. We were introduced to the malt chariot.
|steeped grain goes into the chariot|
|from steep tank to malting floor|
According to Distillery Manager Marie Stanton, a malt chariot is a tricky thing to learn how to drive. The maltsters are experts at it, of course. An industrial floor maltings has to deal with large amounts of malt which is couched, then spread out on the floor. The chariot at Highland Park was in use regularly for this purpose. Ambient temperature and weather conditions dictate the depth of the grain bed.
There were several wooden malt shovels, or shiels, leaning up against the wall. They are used to turn the malt. It's a long job and in an industrial maltings like this, team work is crucial. It takes hard work and skill to turn tons of malt on the floor using one of these. On the tour we were told that some maltsters at the Highland Park were ambidextrous, able to turn malt to the right and to the left with ease. Others preferred to just work one way, which seems to be how the owner of this well worn malt shovel worked.
|A 19th Century malt shovel, well worn from use|
As well as wooden malt shovels, fish tail rakes are used. These make the job so much easier, follow the link below the photo to find out why. Raking the malt is not just a skill, it's an art.
|A medieval style custom made malt rake, with fish tails, used by Riverbend Malt House|
The grave goods that accompanied this young woman were these: a beaker or food vessel, a thumb nail scraper, two flint flakes and, unusually, the shoulder blade of an ox. The beaker or food vessel had organic residues within it. This is another rare find. According to the official site records (HER)
"The contents of the beaker were analysed by Dr Brian Moffat of SHARP who, from a preliminary examination, suggested that it contained: prepared cereal grain, honey, added flowers and fruit (including meadowsweet, bramble & wood sage), and the sap of birch and alder trees."
Similar residues have been found in other bronze age pots and have been identified as the remains of ale. These two things combined, the pot with cereal based residues and an ox shoulder blade, suggest to me that the woman may have been a maker of malt and ale. She had been buried with the necessary equipment. I mentioned this to a couple of people on the tour and they agreed it could be a possibility. The young woman who was buried 3700 years ago is now the subject of a new investigation by archaeologist Dr Maya Hoole. The details are here if you are interested.
|ox shoulder blade from the Achavanich burial, was it used to turn the malt?|
source here (this is a screen grab from the Facebook page)
Grain that will not germinate is useless to a maltster. Upon delivery, samples are taken from every batch of grain. Individual grains are selected at random and tested for viability. This can be done by steeping them in a solution of hydrogen peroxide at 0.75% at 18-21 degrees Centigrade. Germinated corns (seeds) are counted after three days. For a working maltings, this takes too long.
A quicker method of checking viability is to cut a grain longitudinally and use tetrazolium chloride which stains the embryo pink. The maltster can get a result in half an hour. There was a very nice little grain cutting machine in the laboratory at Highland Park, used to cut grains in half for testing from every batch of barley. Shame I forgot my camera, but here's a picture of a stained living barley grain from the MAGB website. Pink toed barley, that's what the maltsters call it, if the barley has a pink toe then it's good for making malt.
|white endosperm, pink embryo, it's alive! |
The final part of the tour was to climb the old narrow wooden staircase, it was more like a boxed in ladder, to look at the kilning floors in the loft. We were treading in the footsteps of maltsters past, it was a strange feeling. The steps were worn, malt has been dried here, in the same way, for two hundred years. We looked through the window to see the green malt, steaming as it began to dry. It looked very much like the photo below. Drying malt on this scale takes three or four days. The maltsters turn it at regular intervals so that it dries evenly. Hot air and peat smoke from the fire downstairs passes along the flue and through the bed of wet malt, imparting flavour, drying it gently so that the malt is not killed.
|green malt at Highland Park, steaming on the kiln floor as it slowly dries|
source: a blog by the whiskyspeller's here
We left the kilning floors by a small door which led us onto a metal walkway on the roof, right beside the distinctive pagodas. Whenever the malt is being dried there is steam coming from the pagodas. We had great view over Kirkwall and a new perspective of the Distillery, a place that we often drive past.
|the twin pagodas of the Highland Park Distillery|
Finally, we went down the metal staircase on the outside of the building to see the kiln fire downstairs. The maltsters start the fire with coke to warm the kiln, after this, peat from Hobbister is used. The peaty smoke flavours the wet malt. Coke is used at the end to thoroughly dry the malt. Each fire needs to be run slightly differently, depending upon the batch of malt. It's just another of those maltster's skills that can only be learned by experience and practice.
|the kiln fire, it's a long way from the malt and there's a metal flue|
This kiln has a fierce fire but is situated a long way from the malt. In a pot kiln, you need great heat to fire the pots. The principle with a grain or malt drying kiln is completely different. Hot air and smoke pass along the flue and through the bed of green malt. There are sturdy metal linings to contain the sparks and make it safe. I don't want to go into any more whisky making details. My interest is in making malt for brewing ale and beer.
Today there are many different kinds of malt being made by maltsters for brewers. It can be confusing for a non brewer. The most crucial is the base malt, the one that is made and dried like this, carefully and slowly to keep the starch converting enzymes alive. These enzymes are needed in the mash tun. Base malt provides all the necessary sugars for fermentation. Other malts, such as crystal malt or chocolate malt have only been made since the mid 18th Century. Just to confuse the issue even further, there is also roasted barley, which is not malted at all and which gives dark beers like Guinness and porter their distinctive black colour and flavour. Hops add bitterness and other flavours, they are also antimicrobial. Unroasted barley alone cannot be used to make beer, it is added to the base malt. Unroasted barley has no enzymes.
Specialist malts provide colour and flavour to the finished ale or beer. They are a modern thing; making roasted malt is not a prehistoric technology. Specialist malts are roasted at high temperatures that kill all the enzymes, therefore it is not possible to make beer using only this kind of malt. I shall have to write something later about this, it's a huge subject.
Malt is a mysterious thing to most people. In the world of archaeological and anthropological literature I find few references to malt. There is very little meaningful discussion of it. Assumptions have been made that malt is "toasted roasted barley sprouts". Another belief is that the archaeologist has to actually find "sprouted barley" with roots and shoot still intact for there to have been malting and brewing at their site. I have been told this many times by archaeobotanists. The reality is that the malt loses its' roots and shoots in the kiln. An archaeologist will not find them. There are many other indications that grain has been malted.
When you read the academic archaeological and anthropological literature about "alcohol production in prehistory", there is a belief, an assumption, that all you have to do is mush up a few sweet things, like berries, honey, some sort of sweet plant, maybe a bit of barley and some birch sap. Leave it in a bucket or a pot and, magically, you will have "some sort of alcohol". Making ale and beer is not like that at all. Malt is the essential ingredient. It provides both flavour and, more importantly, the necessary fermentable sugars without which there will be no ale. No beer.
That's more than enough for now. I shall continue working on my post about alcohol production and some of the myths that surround it in the archaeological and anthropological literature. I look forward to comments and discussion with about malt in the future. Malt matters.
Here's a bit more that I've written about malt, malting, the history and the archaeology. I shall get around to tagging the blogs soon so they are easier to navigate.
Brewer & Distiller International February 2016
The craft of the maltster
Food & Drink in Archaeology 4 eds Howard, Bedigan, Jervis & Sykes
The craft of the maltster
Food & Drink in Archaeology 4 eds Howard, Bedigan, Jervis & Sykes